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Thumbnail image for The Starting Line — Occupy goes after Monsanto, GMOs; San Diego demonstration slated for Monday

The Starting Line — Occupy goes after Monsanto, GMOs; San Diego demonstration slated for Monday

by Doug Porter 09.13.2012 Columns

Yesterday a dozen activists calling themselves the Genetic Crimes Unit (GCU) shut down shipping and receiving access points at Monsanto’s Oxnard, California seed distribution center. Although nine members of the group were arrested in the non-violent protest, the protesters effectively shut down the distribution of genetically engineered (GMO) seeds for a day.

The group blocked all three shipping and receiving entrances to the Monsanto facility, using flashy theatrics including a car with a giant “fish-corn” on top of it and a 6-foot high jail cell holding an individual dressed as Monsanto CEO Hugh Grant.

Monsanto is the largest producer of GMO seeds and is being called out for their genetic crimes by a network called Occupy Monsanto. Wednesday’s protest, according to a statement released by the group, is the beginning of a series of over 65 different autonomous actions that officially start on September 17, commemorating the anniversary of the Occupy Wall Street movement.

Supporters of Proposition 37, led by Women of Occupy San Diego, have announced a rally and demonstration in support of the initiative, which would require that labeling of foods containing genetically modified organisms (GMO’s). The group will meet up at the offices of Canvass for a Cause, located at 3705 10th Avenue, at 4 pm on Monday, September 17th

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Thumbnail image for Whatever Happened to Downtown Artists? The Experiences of Three Creative Souls Who Survived

Whatever Happened to Downtown Artists? The Experiences of Three Creative Souls Who Survived

by Jim Bliesner 08.31.2012 Activism

By Jim Bliesner

It is a familiar story to hear about how artists settle in unwanted areas of major cities, occupy unused space, and begin to create excitement and a sense of uniqueness and a creative spirit. Eventually developers arrive to capitalize on the aura. What happens to the artists who were the urban pioneers? I interviewed three artists who are downtown or were there in the past. Their experiences cover a period of twenty or thirty years and provide lessons for artists today.

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