There’s a funeral toast, “Here’s to a man whose like won’t come this way again.” That’s Bob Dorn. Writer, jazz man, stone mason, gardener, cook, and maker of carnival masks; he was also a warm, witty, and constant friend. About that last semi-colon, Bob and I had two caffeine-fueled discussions on the semi-colon, which he put to bed with these words,
“I think the notion that language usage should (or could) be proper is
‘… a hobgoblin of small minds’ (Emerson). Communication is the proper aim of writing.”
When I met Bob early in 2013 he had been playing the trumpet for many years, and for me jazz informed his writing in ways wonderful and a little mysterious. After asking him about the process in a couple of different ways, Bob emailed on his 74th birthday,
“Music’s even more mysterious to me than
language but the comparison isn’t fair because language …. ? I was
gonna say it’s more like rocks fitted together and music has structure,
but that’s not good enough because there are musicians who can
can explain the system but they often can’t play as well as others who
nevertheless can’t explain the system. There’s a so-what in there,
someplace. One thing that comes to mind is
that there are alternative phrases in jazz and writing. A phrase like,
“dawn came a little slowly…” might be jazzy, but “he waited for a dawn
that never seemed to arrive” is more like writing.”
Updated Jan. 5, 2019: to include memorial service info [Read more…]